Alicia En El.pais De Las Maravillas Pelicula Access
Helena Bonham Carter steals every scene as the Red Queen, whose grotesque, digitally enlarged head perfectly matches her tantrum-prone, narcissistic personality. “Off with their heads!” has never felt so deliciously unhinged. The film’s biggest flaw is its script. Instead of embracing the surreal, episodic nature of the book, Burton and screenwriter Linda Woolverton impose a conventional “hero’s journey” onto Alice. She isn’t exploring nonsense; she is following a prophecy ( The Oraculum ) that says she must slay the Jabberwocky on “Frabjous Day.” This turns Wonderland into a standard fantasy battlefield—more The Chronicles of Narnia than Alice in Wonderland .
You want to see a gothic, colorful fantasy epic with stunning visuals. Skip it if: You expect a faithful, nonsensical, and witty trip down the rabbit hole.
Director: Tim Burton Starring: Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway alicia en el.pais de las maravillas pelicula
Final thought: A beautiful wonderland that forgot to be wonderful.
Johnny Depp’s Mad Hatter, despite his quirky makeup and warbling accent, is surprisingly tragic and melancholic. He spends more time crying about his dead family than spouting riddles. While Depp is committed, the Hatter feels less “mad” and more “sad,” which drains the film of its anarchic energy. Helena Bonham Carter steals every scene as the
★★★☆☆ (3/5)
Tim Burton’s Alicia en el País de las Maravillas is a paradoxical film: it is bursting with color, imagination, and gothic whimsy, yet it often feels hollow at its core. Marketed as a continuation rather than a strict remake, the film follows a 19-year-old Alice (Mia Wasikowska) who returns to Wonderland—only to discover she is destined to slay a dragon and end a tyranny. While breathtaking to look at, the film struggles to capture the nonsense, wit, and dreamlike logic that made Lewis Carroll’s original so timeless. Visually, the film is pure Burton. Wonderland (here called “Underland”) is a stunning fusion of lush CGI and eerie, crooked landscapes. The Red Queen’s castle, with its floating moat of rose-colored paint and chessboard grounds, is a masterpiece of production design. The character designs are equally memorable: the Cheshire Cat fades in and out with a sinister grin, the Tweedles are bulbous, rolling mountains of flesh, and the Jabberwocky is genuinely terrifying. Instead of embracing the surreal, episodic nature of
Furthermore, Mia Wasikowska’s Alice is curiously passive for a protagonist. She repeats “I am Alice of Wonderland” as a battle cry, but she often seems confused and distant, as if the film is happening around her rather than to her. Alicia en el País de las Maravillas is a gorgeous, occasionally enchanting film that will delight fans of Tim Burton’s aesthetic. Children will love the vibrant creatures and slapstick moments (the Bandersnatch chase is thrilling), and adults will admire the art direction. However, for those who love Carroll’s original for its wordplay, absurd humor, and lack of clear moral, this adaptation may feel disappointingly conventional.
