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Jaclyn Taylor learned that lesson years ago, huddled in the doorway of a shuttered Soho record shop, watching her mother count crumpled notes. Now, she stood on the other side of the glass—producer, fixer, the woman the BBC called when a documentary needed teeth.

On screen, a younger Jaclyn—eight years old, wearing a pink coat three sizes too big—stood outside a burning flat. Her father's flat. The reporter’s voice, clipped and professional: "Police have not yet released the name of the victim. But neighbors say..."

Jaclyn Taylor smiled. It was not a happy smile.