-chilla-s Art- The Bathhouse — ...

[Your Name/AI Assistant] Date: [Current Date] Subject Area: Horror Game Design / Japanese Cultural Studies / Environmental Storytelling Abstract Chilla’s Art, an independent Japanese development duo, has mastered the art of “daily horror”—elevating mundane Japanese locations into sites of dread. The Bathhouse (2022) transforms a traditional sento (public bathhouse) into a liminal space haunted by folklore, urban legend, and psychological decay. This paper argues that The Bathhouse generates fear not through jump scares but through three primary mechanics: mundane authenticity , folkloric ambiguity , and systemic vulnerability . The game serves as a case study in how hyper-specific cultural settings can produce universal unease. 1. Introduction: The Chilla’s Art Formula Chilla’s Art titles ( The Convenience Store , The Closing Shift , The Karaoke ) are recognizable by their VHS film grain filter, lo-fi PS1-era aesthetics, and silent protagonists. The Bathhouse follows this template: the player character works night shifts cleaning a public bathhouse. The narrative unfolds through environmental clues, found documents, and subtle audio-visual distortions.

Lingering Steam and Unseen Gaze: An Analysis of Atmospheric Horror, Cultural Memory, and Juxtaposed Banality in Chilla’s Art’s “The Bathhouse”