Cidfont F1 F2 F3 F4 F5 F6 -

Newsletters, printed reports, literary journals. F4 – The Interface Anchor Low-contrast. Rounded terminals. Optimized for dark mode. F4 was born inside a design system. Every glyph was tested on OLED, e-ink, and automotive HUDs. Diacritics never collide. Button text never clips. F4 is the quiet professional that makes other elements look good.

Typography isn’t decoration. It’s interface. Choose accordingly.

— The Cidfont Foundry

👉 (link in bio / comments) 👉 Try the variable demo (F6 – drag the WARP slider yourself)

Today, we stop that compromise.

Test F1–F4 today (free tier: 3 weights, personal use). F5 and F6 require a studio license – but if you’re building something worth remembering, you’ll know why.

User manuals, legal docs, in-app notifications. F3 – The Editorial Workhorse Moderate stroke modulation. Sharp serifs (yes – Cidfont adds serifs here). F3 surprises. After two sans iterations, F3 introduces micro-serifs — not decorative, but functional. They guide horizontal reading flow. If you set a magazine or annual report in F3, readers will finish articles they didn’t intend to start. Cidfont F1 F2 F3 F4 F5 F6

Data tables, terminal UIs, industrial labels. F2 – The Reader’s Companion Slightly opened apertures. Generous x-height. F2 takes F1’s bones and adds breath. Counters are rounded. Spacing expands. This is your long-form email, documentation, or help center face. It never tires the eye.

Introducing Cidfont F1–F6: A New Era of Modular, Multi-Script Typography Newsletters, printed reports, literary journals