Cinderella 2 Dreams Come True | Internet Archive

Have you revisited Cinderella 2 recently? Do you remember renting this from Blockbuster? Let me know in the comments below.

If you grew up in the early 2000s, you remember the "Direct-to-Video" era. It was a wild west of sequels that usually starred characters you loved, but with animation budgets that looked like they were paid in magic beans. Among these was "Cinderella II: Dreams Come True" (2002). cinderella 2 dreams come true internet archive

These films represent a specific moment in animation history: the transition between hand-drawn cel animation and digital coloring, the era of the cheap sequel. If we only preserve "good" art, we lose the context of what the average viewer was actually watching in 2002. Have you revisited Cinderella 2 recently

Cinderella 2: Dreams Come True is not a masterpiece. But it is earnest. It tries to teach that being a princess isn’t about the crown, but about kindness (and giving your stepsister a break). Search for "Cinderella 2 Dreams Come True Internet Archive" on your browser. You will likely find a few versions. Look for the one with the original 2002 menu screens—where you can select "Music & Songs" and watch the music video for "Put It Together." If you grew up in the early 2000s,

Watch it for Anastasia. Watch it for the bizarre human-Jaq transformation. Watch it for the scene where Cinderella tries to read a story to the villagers and it goes horribly wrong.

For years, this film has lived in the shadow of the 1950 masterpiece. Fans often rank it as "the weird one" where Cinderella’s hair inexplicably changes color and the mice write a book.

About The Author

Murjani Rawls

Murjani is the senior writer, editor, and lead critic at Substream Magazine with a decade of expertise focusing on music, film, television, pop culture, and sports. He is also a food and culture reporter for NJ.com/The Star Ledger. Previously, Murjani was the inaugural culture editor at DraftKings Network/Vox Media, staff writer at The Root, and senior writer/editor at The Pop Break. He's also a photographer, podcast producer, and five-time self-published author. His advocacy has been featured in Time Magazine, Poynter, and Axios. He is a member of the Critics Choice Association and WGA East.