El Origen Instant
“I painted El Origen as a wound,” says Sofía Márquez, a 34-year-old Chilean-born visual artist now living in Barcelona. Her latest series, Rostros del Principio , depicts faceless figures emerging from cracked earth. “I left Chile when I was nine, during the dictatorship. My parents never spoke of ‘before.’ So I had to invent an origin. Not the traumatic one — the one before the trauma.”
It is not a map. It is a list: The mango tree behind my house. The crack in the sidewalk where I played marbles. The sound of my mother’s hands making tortillas at 5 a.m.
“That’s it,” Sofía says. “That’s El Origen. Not a place you return to. But a place that returns to you.” El Origen is never lost. It simply waits to be remembered — one breath, one story, one broken and taped-together drawing at a time.
In the high, thin air of the Sierra Nevada de Santa Marta, Colombia, the Arhuaco people do not ask where you are from. They ask: “Do you remember your Origin?” El Origen
The lead author, Dr. Elena Quispe (Aymara heritage, Harvard-trained), caused a stir when she refused to call the finding “the origin.”
But for the artists, poets, and migrants who have carried the phrase across borders, El Origen has become something else: a portable homeland.
The Rarámuri of Chihuahua say that the first people were given drums, not instructions. The origin was a rhythm. As long as you can hear it — even faintly — you have not fallen from grace. So where is El Origen ? “I painted El Origen as a wound,” says
It is under the floorboards of a demolished home in Michoacán. It is in the recipe for sopa de piedra that no one wrote down. It is in the curve of a river where a boy first learned to swim. It is in the moment before a photograph is taken — the breath held, the future not yet fixed.
Her paintings sell for thousands. But she keeps one small canvas in her studio, hidden. On it, a single hand reaches up from a sea of blue. “That’s my abuela’s hand,” she says. “She taught me that the sea has memory. El Origen is the first time you believed you belonged somewhere.” Science has its own version of El Origen . In 2024, a team of paleogeneticists published a landmark study tracing the first human footprints in the Americas to a single migration event roughly 23,000 years ago — a small band of hunters crossing a now-vanished land bridge from Siberia into Alaska.
“They ask for your origin at the checkpoint,” he says quietly. “But they want a country. They don’t want the smell of rain on dry dirt. They don’t want the name of the dog that followed me to school.” My parents never spoke of ‘before
“You can lose your papers,” he says. “You can’t lose this.” Linguists note that in nearly every indigenous language of the Americas, the word for “origin” is also the word for “breath” or “beginning of a song.” The Nahuatl īīxiptla (origin) shares roots with ihtoā (to speak). To originate is to speak yourself into being.
Sofía Márquez, the artist, eventually took her hidden canvas to a gallery. She titled it No me he ido del todo — “I haven’t entirely left.”
But to remember? That is to see the world as a living text, written at the dawn of time. “El Origen” is not a single address. In Latin America, the phrase carries the weight of a thousand creation stories. For the Maya of the Yucatán, it is the Heart of Sky and the Sovereign Plumed Serpent who spoke mountains into existence from the primordial sea. For the Andean Quechua, it is Tikse Wiraqucha , the god who rose from Lake Titicaca’s depths to shape the sun, moon, and the first people of clay.