Adam Monroe's Rotary Organ Updated To Version 2.5 - OS X Big Sur Support, IR Reverb and Cabinets, New Presets
3.17.2021
Adam Monroe's Rotary Organ Piano Is a 32/64-Bit B3 Organ Plugin
* 60 Note Range C2 to C7
* DI and Amp Signals, Reverb, Vacuum Tube and Speaker Sims
* 10 Drawbars, Leslie Sim, Percussion, Vibrato, and Key Click
* 500 MB of Sample Data and 95 Presets
* Supports 44.1, 48, 88.2, and 96 kHz
Requirements:
 VST

Windows 7/8/10 (32 or 64-Bit)
OS X 10.9 - 10.15 (64 Bit)
OS X 10.9 - 10.14 (32 Bit)

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

*Plugin may work with older hardware, but performance will be affected
*Plugin designed to work at 44.1, 48, 88.2, and 96 kHz sample rates. AU

OS X 10.9 - 10.15 (64 Bit)
OS X 10.9 - 10.14 (32 Bit)
(little endian CPU)

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

*Plugin may work with older hardware, but performance will be affected
* Plugin designed to work at 44.1, 48, 88.2, and 96 kHz sample rates. AAX

64 Bit MAC OS X 10.9 (Mavericks) or later
64 Bit Windows 7/8/10

Protools 11/12/2018/2019

4 Gigabytes of Ram (8 Gigabytes recommended)

Intel Core 2 DUO @ 3GHZ or higher recommended.

Firewire or PCI-based Audio Interface recommended

* Plugin designed to work at 44.1, 48, 88.2, or 96 kHz sample rate.
Purchase Adam Monroe's Rotary Organ Sample LIbrary VST
Purchase Includes VST, AAX , and AU
Versions (Windows 7-10, MacOS 10.9-11.0)

  1. Tom Petty and the Heartbreakers - Refugee
  2. Jimmy Smith - Back at the Chicken Shack
  3. Allman Brothers Band - Ramblin Man
  4. Boston - Foreplay / Long Time
  5. Elliott Smith - Son of Sam
  6. Booker T. & the M.G.'s - Green Onions
  7. Tom Petty and the Heartbreakers - The Waiting
  8. Procol Harum - A Whiter Shade of Pale
  9. Huey Lewis and the News - Hip to be Square
  10. Borgan Lues
  11. Cycle Through all 95 Presets

Adam Monroe's Rotary Organ was sampled from a Hammond M3 tonewheel Organ. The end goal was to simulate the sound of a Hammondnd B3 organ with rotating Leslie Speaker inside of a VST/AU/AAX plugin. Every drawbar on every note was sampled individually via the organ's built-in speaker through a Neumann TLM 102 microphone.

The signal was re-amped though a Fender Deluxe Reverb and recorded via a Sennheiser e906. Both signals were run through Grace M101 preamps. A Hammond M3 Organ combines the last two harmonics into a single drawbar, this note was omitted. Instead, a "digital foldback" teqchnique was used to extend the harmonics of the Hammond M3 to be similar to that of a Hammond B3.

The organ's range was augmented to be similar to that of a Hammond B3. This was accomplished by using the Organ's pedal tones to add the lower octave notes.

The Leslie Speaker simulation was designed to mimic a real Leslie. The signal is split to a virtual bottom rotor and virtual upper rotor at around 600 Hz. Vibrato, chorus, and panning processing are used to simulate the rotation of the rotors. The upper rotor spins between 48/409 RPM's and the bottom rotor spins between 40/354 RPM's. Bottom rotor rotation can be bypassed. The Leslie simulation can also be bypassed.

B3 effects where also digitally simulated and these include percussion, vibrato, and key click. Vibrato scanner is similar to that of a B3 and includes vibrato as well as vibrato+chorus. Key click was simulated by adding random noise to the attack and release samples. Some key click can be heard in the original samples but the effect has been exaggerated. Percussion was simulated in VST as it is in real life: a higher amplitude, percussive decaying sound is added to the instrument via the 2nd or 3rd harmonic. The plugin also includes reverb, braking, variable acceleration, drive/distortion, smoothing, adjustable stereo panning, key-splitting, and preset switching. Version 2.0 also includes amplifier sims based on vacuum tube simulations and speaker EQ curves. An extra drawbar has also been added to the organ between the 4th and 5th drawbars (x), equivalent to the 5th harmonic of the sub-fundamental or a 3 1/5' pipe length.

Film Apik 21 Online

“Apik 21” stands out as a solid addition to the modern Indonesian action‑thriller genre. It balances high‑octane set‑pieces with genuine human drama, and its production values—particularly the practical stunts and thoughtful cinematography—signal a maturing film industry that can compete on the global stage while staying true to local storytelling. | Audience | Reason | |----------|--------| | Fans of Action Thrillers | Well‑executed chase scenes, realistic combat, and a climactic showdown. | | Viewers Interested in Socio‑Political Drama | Insightful look at resource exploitation and grassroots resistance in Indonesia. | | Cinephiles Who Appreciate International Cinema | Authentic cultural details, strong performances, and a fresh visual style. | | General Audiences | A gripping, character‑driven story that’s accessible even without prior knowledge of Indonesian politics. | 6. Final Verdict If you’re looking for a film that delivers both adrenaline and substance, “Apik 21” is a commendable choice. Its heart lies in the bond between ordinary citizens and the extraordinary lengths they’ll go to protect their home. While the narrative isn’t groundbreaking, the execution—especially in terms of direction, performance, and visual storytelling—elevates it above many contemporaries. The minor pacing hiccups and predictable climax don’t significantly detract from an overall enjoyable and thought‑provoking experience.

Genre: Action‑thriller / Drama Director: Dwi Prasetyo Screenplay: Rina Sari & Bima Nugroho Starring: Iqbal Ramadhan (as Jaka), Ayu Lestari (as Maya), Reza Pahlevi (as Captain Andi), and supporting cast of rising Indonesian talent. Runtime: 128 minutes Production: PT. Sinar Nusantara Films Release: Indonesia, limited theatrical run (Oct 2023) and streaming on KlikFilm (Nov 2023) “Apik 21” follows Jaka (Iqbal Ramadhan), a former special‑forces operative who now runs a modest motorcycle repair shop in a small coastal town. When a clandestine syndicate attempts to seize the town’s offshore oil platform, Jaka is reluctantly pulled back into the world of covert ops. He teams up with Maya (Ayu Lestari), an investigative journalist whose brother disappeared under mysterious circumstances, and Captain Andi (Reza Pahlevi), a disillusioned navy officer. Together they must expose a web of corruption that reaches from local officials to multinational interests—all while racing against a ticking clock that threatens to turn their sleepy community into a war zone. 2. What Works | Aspect | Highlights | Why It Stands Out | |--------|------------|-------------------| | Storytelling & Themes | A tight, three‑act structure that blends personal stakes (family, community) with larger socio‑political commentary (resource exploitation, corporate greed). | The film feels grounded in an Indonesian context while still delivering a universally resonant “small‑town vs. big‑power” narrative. | | Direction | Dwi Prasetyo balances kinetic action sequences with quiet, character‑driven moments. The pacing is deliberate in the first act, accelerates naturally in the middle, and maintains tension in the climax. | Prasetyo’s background in documentary filmmaking shows in the authentic texture of the town’s everyday life—market scenes, fishing docks, and local festivals are filmed with genuine affection. | | Cinematography | Handled by Lintang Wibowo; the visual palette shifts from warm, sun‑lit coastal hues to cool, neon‑tinted night shots during the infiltration scenes. Drone work captures the sprawling oil platform with impressive scale. | The contrast reinforces the film’s central conflict: natural beauty versus industrial encroachment. The aerial shots also serve as a visual metaphor for the “big picture” that the protagonists eventually confront. | | Performances | - Iqbal Ramadhan brings a gritty, understated charisma to Jaka, making his reluctant heroism feel earned. - Ayu Lestari delivers a compelling mix of vulnerability and determination as Maya, grounding the film’s emotional core. - Reza Pahlevi provides a steady, morally ambiguous foil as Captain Andi. | The trio’s chemistry feels organic; each character’s motivations are clearly articulated without heavy exposition. | | Action Sequences | The motorcycle chase through narrow alleyways, the stealth infiltration of the oil platform, and the final showdown on a moving crane are choreographed with practical effects and minimal CGI. | Practical stunts give the action a visceral realism that’s often missing in modern Indonesian action films, which tend to rely heavily on post‑production. | | Sound Design & Score | Composer Dedi Kurniawan blends traditional Gamelan motifs with pulsating electronic beats. The sound design emphasizes ambient noises—waves, engine revs, distant radio chatter—to immerse viewers in the setting. | The score accentuates emotional beats without overwhelming the narrative, and the soundscape adds depth to both tranquil and high‑octane scenes. | | Social Commentary | The film subtly critiques the unchecked exploitation of natural resources and the collusion between local officials and foreign corporations. Maya’s investigative reporting scenes give the audience a glimpse into journalistic courage in a risky environment. | The commentary feels integrated rather than preachy, making the stakes feel personal rather than abstract. | 3. Areas for Improvement | Issue | Details | Suggested Remedy | |-------|---------|------------------| | Exposition Overload (Mid‑Act) | The second act contains a dense information dump through a series of briefing meetings. Some viewers may find the pacing slows, and the dialogue feels “on‑the‑nose.” | Trimming a few of the exposition scenes or weaving the necessary facts into more organic interactions (e.g., a conversation between Maya and a local fisherman) could preserve momentum. | | Supporting Characters’ Development | While the three leads are well fleshed‑out, secondary figures (the town mayor, the syndicate’s second‑in‑command) receive limited backstory, making their motivations feel under‑explored. | Adding a brief flashback or a personal scene (perhaps the mayor’s family pressure) would add nuance and increase the emotional impact of the final confrontation. | | Predictability of the Climax | The final showdown, while visually impressive, follows a fairly conventional “hero disables the villain’s control panel” formula. | Introducing an unexpected twist—such as an insider betrayal or a moral dilemma for Jaka—could raise the stakes and make the climax more memorable. | | Subtitles & International Accessibility | For non‑Indonesian audiences, the English subtitles occasionally lag behind the dialogue rhythm, and some cultural idioms are not fully contextualized. | A tighter subtitle sync and brief on‑screen explanations for region‑specific terms (e.g., “sawah” or “pelabuhan”) would improve accessibility. | 4. Overall Assessment | Criterion | Rating (out of 5) | |-----------|-------------------| | Story & Themes | 4.5 | | Direction | 4.0 | | Acting | 4.5 | | Cinematography | 4.5 | | Action & Stunts | 4.2 | | Sound & Score | 4.0 | | Cultural Impact | 4.0 | | Overall | 4.2 / 5 | film apik 21