Now he stood in the same spot, alone, repeating the ritual. He turned off the lamp. He pulled the blanket to her side of the bed, even though the sheets were cold and smooth, untouched.
"Goodnight, Menina 2."
He had laughed then, nervously. But she hadn't been joking.
"Goodnight, Menina," he whispered.
But she wasn't there. Not really.
The clock on the wall said 11:11, but it had been broken for years. Outside the window of the small Lisbon apartment, the city was a murmur—faint fado from a radio, the clatter of a tram climbing the hill, and the Tagus River breathing in the dark.
He didn't ask where she had gone. He already knew. She had dissolved back into the person she was before she tried to love him—half-ghost, half-hope, a woman standing at a train station, watching the departures board flicker. Goodnight Menina 2
He closed his eyes and made a wish he didn't believe in.
Menina 2 was different. She arrived three years later, quieter, with shadows under her eyes and a suitcase that never seemed fully unpacked. She smelled of rain and old books. She spoke less. She listened more.
Goodnight, Menina 2. Wherever you are.
And then, one night, she had simply walked to the window, pressed her palm to the cold glass, and said, "I think I was never really here."
Outside, a boat horn sounded on the river. The broken clock still said 11:11.
Menina 2 was the name he had given to her ghost—the second version of the girl he had loved. The first Menina had been fire and sunlight, a girl who laughed with her whole body and painted azulejo tiles with her fingers. She had left on a Tuesday, chasing a job in Berlin and a future that didn't include his narrow streets or his cautious heart. Now he stood in the same spot, alone, repeating the ritual