I Dream Of Jeannie 4x23 Around The World In 80 Blinks 〈Tested ●〉
The episode also serves as a wonderful time capsule of late-1960s television—a world where a U.S. astronaut could jaunt to Paris between commercial breaks, where international travel still seemed glamorous and exotic, and where a loving, magical wife could solve (and create) all your problems with a single blink.
By the time I Dream of Jeannie reached its fourth season, the formula was as comfortable as an old slipper. NASA astronaut Captain Tony Nelson (Larry Hagman) would get into a bind, his beautiful, 2,000-year-old genie Jeannie (Barbara Eden) would try to help with magic, and chaos would ensue before a tidy, laugh-tracked resolution. But every so often, the show took its fantastical premise for a joyride. Season 4’s “Around the World in 80 Blinks” is one such episode—a globe-trotting, logic-defying, and thoroughly delightful farce that showcases the series at its most inventive. The episode opens not in Cocoa Beach, Florida, but in the pressure-cooker environment of NASA’s astronaut training facility. Tony’s long-time rival, the pompous and arrogant Colonel Buzz (a pitch-perfect cameo by character actor Don Marshall), is goading him. The subject? The newly developed multi-directional telemetry scanner (or some equally technobabble device—the show wisely never lingers on the science). Buzz boasts that he can recalibrate the scanner on a global scale faster than Tony can. I Dream of Jeannie 4x23 Around the World in 80 Blinks
What follows is a rapid-fire sequence of magical set pieces. As Tony boards a commercial jet, Jeannie, hidden in her bottle disguised as a handbag, begins blinking. The plane lurches into ludicrous speed, the clouds blurring past the window as passengers’ drinks slosh. Tony is bewildered; the co-pilot radios ground control in a panic about “spontaneous acceleration.” The episode also serves as a wonderful time
Tony, ever the prideful astronaut, accepts a wager: a trip around the world, via conventional (read: slow) transportation, to manually collect data points. The first one back to Cape Kennedy wins. It’s a silly bet, but it serves a crucial narrative purpose—it gets Tony out of the house and onto a series of commercial flights. NASA astronaut Captain Tony Nelson (Larry Hagman) would
The problem? Tony’s pride won’t let him win the bet by magical means. He insists on waiting for a commercial flight back to Florida, effectively forfeiting his lead. This leads to a wonderfully absurd confrontation in a Parisian square, where Jeannie, in a fit of frustration, blinks a flock of pigeons into formation to spell out “TONY IS A STUBBORN GOAT” in the sky. (The visual gag, simple by today’s standards, is pure 1960s sitcom gold.)
