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The boy points a trembling finger at a map on the wall—, across the Ganges. “Ek sandook mein. Munna ne kaha tha ki agar police aayi to sandook Ganga mein baha dena.” (In a trunk. Munna said if the police come, throw the trunk into the Ganges.)
End credits with the song “Muqabla” playing in slow, distorted, eerie version.
Sweety: “Mirzapur ki gaddi sirf lalchi log nahi chahte. Maayein bhi chahti hain.” (The throne of Mirzapur isn’t just wanted by greedy men. Mothers want it too.)
Dadda Tyagi strokes his white beard. “Shart yeh hai ki Mirzapur ka ek third opium mera hoga.” (Condition: one-third of Mirzapur’s opium will be mine.)
“Guddu bhai… tera Bablu zinda nahi hai. Maine uska khoon pi liya. Lekin ek surprise rakha hai tere liye. Woh rickshaw waala jo tumhe bachake gaya tha? Woh mera aadmi tha. Aur tumhare ghar mein jo bomb laga tha… woh mera nahi tha. Woh tumhare apne bhai ka tha. Haan… Bablu ne hi tumhe udana chaaha. Kyunki Bablu ko pata tha—tum uski biwi ke saath… (laughs)… poori Mirzapur jaanti hai.”
JP Yadav is on a phone call. “Haan, Beena ji. Main samajh gaya. Guddu Pandit ko khatam karna hai. Lekin ek shart hai—Munna ka koi waris nahi hona chahiye. Tyaag ka beta bhi marwa do.” (Yes, Beena ji. I understand. Guddu Pandit must be eliminated. But one condition—there must be no heir of Munna. Get rid of Tyaagi’s son too.)
It’s , a bloodied shirt, and a cassette tape.
The funeral pyres of and Munna burn side by side. The entire underworld of Purvanchal is present. But two people are missing: Sharabi’s wife and Bablu’s body (still missing).
Sweety opens a drawer. Inside: Kaleen Bhaiya’s hidden ledger and a .32 revolver.
He hangs up. Turns to a shadowy figure in the corner.
Compounder: “Bhai Guddu… maine Munna ke haath apni roti khaayi. Magar usne tumhari behen ko… (I ate bread from Munna’s hands. But what he did to your sister…)”
