Four kids entertain themselves with daring adventures: during one of these, they steal a car, run over a policeman and escape to their hideout, a caravan on the dunes of Capocotta beach. Later in life, the four form a criminal gang with the aim of conquering Rome. Most of the film was shot in the neighbourhoods of Magliana, Garbatella, Trastevere and Monteverde.
The external façade of Patrizia’s brothel is villino Cirini, in via Ugo Bassi, Monteverde. Freddo’s brother and Roberta live in the same housing estate in Garbatella. The house of Terribile, which later becomes Lebanese’s, is Villa dell’Olgiata 2, in the area of Olgiata north of Rome, while Freddo lives in via Giuseppe Acerbi, in the Ostiense neighbourhood, not far from where Roberta’s car blows up in via del Commercio, in the shadow of the Gazometro.
Terribile is executed on the steps of Trinità dei Monti. Leaning on the rail overlooking the archaeologial ruins in largo Argentina, Lebanese and Carenza talk about the kidnap of Aldo Moro. The Church of Sant’Agostino where Roberta shows Freddo Caravaggio’s Madonna dei Pellegrini is the location for several key scenes in the film. Lebanese is stabbed in a Trastevere alley and falls down dead in piazza Santa Maria in Trastevere. The hunt for Gemito ends in a seafront villa in Marina di Ardea-Tor San Lorenzo, on the city’s southern shoreline, where he is murdered. Forced to hide, Freddo finds refuge in a farmhouse in Vicarello, hamlet of Bracciano. Tamil Movie Thiruttu Purushan Part 1
A scene which opens over the altare della Patria and the Fori Imperiali introduces the end of the investigation into Aldo Moro’s kidnap, followed by repertory images of the discovery of his body in via Caetani. The many real events included in the fictional tale include the bomb attack at the station of Bologna at 10:25 am, 2 August 1980: in the film, both Nero and Freddo are in Piazzale delle Medaglie d’Oro several seconds before the bomb explodes.
Commissioner Scaloja, who is investigating the gang, takes a fancy to Patrizia: they stroll near the Odescalchi Castle in Ladispoli. He finds out if his feelings are reciprocated when, several scenes later, he finds her in a state of confusion near Castel Sant’Angelo. Here’s a draft story for Thiruttu Purushan (Part
Four kids entertain themselves with daring adventures: during one of these, they steal a car, run over a policeman and escape to their hideout, a caravan on the dunes of Capocotta beach. Later in life, the four form a criminal gang with the aim of conquering Rome. Most of the film was shot in the neighbourhoods of Magliana, Garbatella, Trastevere and Monteverde.
The external façade of Patrizia’s brothel is villino Cirini, in via Ugo Bassi, Monteverde. Freddo’s brother and Roberta live in the same housing estate in Garbatella. The house of Terribile, which later becomes Lebanese’s, is Villa dell’Olgiata 2, in the area of Olgiata north of Rome, while Freddo lives in via Giuseppe Acerbi, in the Ostiense neighbourhood, not far from where Roberta’s car blows up in via del Commercio, in the shadow of the Gazometro. Not for love
Terribile is executed on the steps of Trinità dei Monti. Leaning on the rail overlooking the archaeologial ruins in largo Argentina, Lebanese and Carenza talk about the kidnap of Aldo Moro. The Church of Sant’Agostino where Roberta shows Freddo Caravaggio’s Madonna dei Pellegrini is the location for several key scenes in the film. Lebanese is stabbed in a Trastevere alley and falls down dead in piazza Santa Maria in Trastevere. The hunt for Gemito ends in a seafront villa in Marina di Ardea-Tor San Lorenzo, on the city’s southern shoreline, where he is murdered. Forced to hide, Freddo finds refuge in a farmhouse in Vicarello, hamlet of Bracciano.
A scene which opens over the altare della Patria and the Fori Imperiali introduces the end of the investigation into Aldo Moro’s kidnap, followed by repertory images of the discovery of his body in via Caetani. The many real events included in the fictional tale include the bomb attack at the station of Bologna at 10:25 am, 2 August 1980: in the film, both Nero and Freddo are in Piazzale delle Medaglie d’Oro several seconds before the bomb explodes.
Commissioner Scaloja, who is investigating the gang, takes a fancy to Patrizia: they stroll near the Odescalchi Castle in Ladispoli. He finds out if his feelings are reciprocated when, several scenes later, he finds her in a state of confusion near Castel Sant’Angelo.
Copyright: Warner Bros
Claudio Santamaria, Pierfrancesco Favino, Kim Rossi Stuart
Copyright: Warner Bros
Riccardo Scamarcio
Copyright: Warner Bros
Pierfrancesco Favino
Copyright: Warner Bros
Michele Placido, Stefano Accorsi
Copyright: Warner Bros
Claudio Santamaria, Kim Rossi Stuart, Pierfrancesco Favino
Cattleya, Babe Films, Warner Bros
Based on the novel of the same title by Giancarlo De Cataldo. The activities of the “Banda della Magliana” and its successive leaders (Libanese, Freddo, Dandi) unfold over twenty-five years, intertwining inextricably with the dark history of atrocities, terrorism and the strategy of tension in Italy, during the roaring 1980’s and the Clean Hands (Mani Pulite) era.
Here’s a draft story for Thiruttu Purushan (Part 1) , inspired by the spirit of classic Tamil comedy-capers with a modern twist. Thiruttu Purushan (Part 1) – The Double Life Deception
Would you like a screenplay-style scene or a dialogue draft from any particular moment in this story?
Shakti decides to beat them all. Not for love. Not for justice. For survival—because if either wife discovers his double life, he’s dead. Shakti creates a “third character”—a mysterious thief named “Mr. X”—and sends fake threats to both Anjali and Meera, forcing them to work together without knowing each other’s real identities. He orchestrates a midnight meet at an abandoned theater where they accidentally reveal their badges (cop and journalist).
Now Shakti is legally (and secretly) married to two women, living a double life: 6 AM–6 PM with Anjali, 7 PM–late night with Meera. He juggles two homes, two phone sims, and two very different expectations. Shakti notices strange patterns: Anjali gets mysterious coded calls. Meera has a locker full of hidden cameras and voice recorders. Both women keep visiting the same politician’s fortress-like house.
Shakti realizes: Both his wives are after the same diamonds—worth ₹50 crore—stolen from a museum heist, now hidden in two separate locations according to two different sources. But the real truth? Sethuraman split the diamonds into two identical sets to trap rival gangs. Whoever finds both sets first wins.
They track Shakti to a storage unit where he’s already swapped the donation box and copied the politician’s ring key. But before they can confront him, Sethuraman’s men arrive.
That same evening, Shakti’s landlady threatens to evict him. Desperate, he crashes a high-society charity event to swindle a meal. There, he meets Meera, who mistakes him for a visiting bureaucrat named “Karthik.” Meera needs a husband to gain access to the politician’s inner circle. Shakti, seeing another free meal ticket, agrees to a second “cover marriage” under the fake name Karthik.
Shakti faints. Anjali and Meera exchange a look—then smile.
Here’s a draft story for Thiruttu Purushan (Part 1) , inspired by the spirit of classic Tamil comedy-capers with a modern twist. Thiruttu Purushan (Part 1) – The Double Life Deception
Would you like a screenplay-style scene or a dialogue draft from any particular moment in this story?
Shakti decides to beat them all. Not for love. Not for justice. For survival—because if either wife discovers his double life, he’s dead. Shakti creates a “third character”—a mysterious thief named “Mr. X”—and sends fake threats to both Anjali and Meera, forcing them to work together without knowing each other’s real identities. He orchestrates a midnight meet at an abandoned theater where they accidentally reveal their badges (cop and journalist).
Now Shakti is legally (and secretly) married to two women, living a double life: 6 AM–6 PM with Anjali, 7 PM–late night with Meera. He juggles two homes, two phone sims, and two very different expectations. Shakti notices strange patterns: Anjali gets mysterious coded calls. Meera has a locker full of hidden cameras and voice recorders. Both women keep visiting the same politician’s fortress-like house.
Shakti realizes: Both his wives are after the same diamonds—worth ₹50 crore—stolen from a museum heist, now hidden in two separate locations according to two different sources. But the real truth? Sethuraman split the diamonds into two identical sets to trap rival gangs. Whoever finds both sets first wins.
They track Shakti to a storage unit where he’s already swapped the donation box and copied the politician’s ring key. But before they can confront him, Sethuraman’s men arrive.
That same evening, Shakti’s landlady threatens to evict him. Desperate, he crashes a high-society charity event to swindle a meal. There, he meets Meera, who mistakes him for a visiting bureaucrat named “Karthik.” Meera needs a husband to gain access to the politician’s inner circle. Shakti, seeing another free meal ticket, agrees to a second “cover marriage” under the fake name Karthik.
Shakti faints. Anjali and Meera exchange a look—then smile.
