Iceberg Drums

FPC Preset demo:

TAL-DRUM Presets demo:
Default
Broken
Compressed
Jungle d'n'b
Old Tape
Random Tools
SlowDown
Squashed
Supertransients
UFO
ICEBERG DRUMS kit for FPC and TAL-DRUM with 10 creative presets for TAL-DRUM. Drum kit includes 4 unique round-robin layers (FPC) with 4 velocity layers (FPC and TAL-DRUM).
| Iceberg Drums |
| 44100Hz |
| Flac |
| 4 round-robin layers (FPC) |
| 4 velocity layers (FPC, TAL-DRUM) |
| 10 presets (TAL-DRUM) |
Available for FPC and TAL-DRUM
Electric Guitar for DirectWave created by additive physical modelling synthesis and rendered as sample library. Based on HarmonezRG2570. It's an easy-to-play multi bank instrument. Guitar includes 4 unique round-robin layers with 5 velocity layers.
| Electric Guitar for DirectWave |
| Based on HarmonezRG2570 |
| 44100Hz |
| Wav 16 bit |
| 4 round-robin layers |
| 5 velocity layers |
| 6 midi channels = 6 guitar strings |
| Velocity 123-127 = pinch harmonic |
| Velocity 64-122 = sustain |
| Velocity 1-63 = palm mute |
| 4 rounnd-robin layers |
Available for IL DirectWave
Download zip file (2GB):
| System requirements: |
| IL DirectWave |
| Any ampsim. You can use this free pack. |
| 2Gb free disc space |
Cybernezz RG 2075 Guitar created by additive physical modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Cybernezz Guitar includes 6 unique round-robin layers with 13 velocity layers.

| Cybernezz: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
| cc75 - cabinet |
Available for Native Instruments Kontakt 6.5.3 (full) or higher
Download zip file (12GB):
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 12Gb free disc space |
Pink Harmonics. This instrument is designed to travel travel through the space-time continuum. The warp drive is very simple to use. MidiCC 1 (modulation wheel) warps Space. MidiCC 11 (expression wheel) warps Time. Welcome to Hyperspace! Have a nice warp journey!
Have fun!

| Pink Harmonics: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| filter velocity layers |
| MIDI CC: |
| cc01 - sapce warp |
| cc11 - time warp |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file:
| System requirements: |
| NI Kontakt |
Mayanez created by additive modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Mayanez Guitar includes 6 unique round-robin layers with 13 velocity layers.

| Mayanez: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file (15GB):
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 15Gb free disc space |
Djent Guitar created by wavetable physical modelling synthesis and rendered as sample library. It's an easy-to-play full keyboard range instruments. You need only few midi CC controllers for create deepest sound. Djent Guitar includes 6 unique round-robin layers with 13 velocity layers. To evaluate all the capabilities of Djent Guitar, there is a demo projects for FL Studio, Cakewalk, Reaper and a midi file for any other DAW.

| Djent Guitar: |
| 48kHz |
| NCW lossless |
| 6 round-robin layers |
| 13 velocity layers |
| MIDI CC: |
| cc01 - whammy bar |
| cc11 - volume |
| cc72 - release duration |
| cc73 - boost pedal |
| cc74 - attack |
Available for Native Instruments Kontakt 6.5.3 or higher
Download zip file (11GB):
from Patreon (You must be a subscriber)
| System requirements: |
| NI Kontakt |
| Any ampsim. You can use this free pack. |
| 11Gb free disc space |
Users who seek out these resets often fall into two categories. The first is the legitimate evaluator. A professional video engineer might need more than 60 days to fully test vMix in different production environments (e.g., live streaming, multi-camera switching, replay integration) before committing a significant budget. For a freelance operator or a small non-profit, $350 for the HD version or $1,200 for the Pro version is a substantial outlay; a reset offers a de facto extended trial.
The "trial reset" typically involves a script or batch file designed to delete or modify these specific registry keys and hidden files. After running the reset tool—often requiring a system reboot—the user can uninstall and reinstall vMix, and the software behaves as if installed on a brand-new machine, granting another 60-day trial. In more sophisticated versions, the reset tool also includes commands to block vMix’s telemetry servers in the Windows hosts file, preventing the software from phoning home to validate the license against an online database.
Ethically, the issue is more nuanced. Software development is expensive; vMix’s pricing supports ongoing development, support, and feature updates. Every user who perpetually resets the trial instead of purchasing a license deprives NewBlue of revenue. If a significant portion of the user base relies on resets, the company faces three choices: raise prices for paying customers, move to a subscription-only model (which many users despise), or invest in draconian online license verification that harms legitimate users with unstable internet connections. The "trial reset" culture directly incentivizes the very industry trends—subscription lock-in and always-on DRM—that users claim to hate. Vmix Trial Reset
From a legal standpoint, resetting the vMix trial constitutes a violation of the Software License Agreement. Clause 7 of the vMix EULA explicitly prohibits any attempt to "modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works of the Software," including circumventing time-out mechanisms. Legally, this is equivalent to cracking the software.
The vMix Trial Reset: Between Technical Loophole and Ethical Boundary Users who seek out these resets often fall
In the realm of live video production, vMix has established itself as a powerful and cost-effective alternative to traditional hardware switchers. Its tiered pricing model allows users to access high-end features such as 4K output, instant replay, and virtual sets via a one-time purchase. To facilitate evaluation, NewBlue, the parent company, offers a fully functional 60-day trial. However, a persistent subculture within online forums and tutorial sites has grown around the concept of the "vMix Trial Reset"—methods to circumvent the 60-day limitation. This essay examines the technical mechanics of the vMix trial, the nature of the reset methods, the ethical and legal implications of using them, and the potential long-term consequences for both the user and the software ecosystem.
Beyond ethics, using a trial reset carries concrete technical risks. First, many reset scripts found on YouTube or random forums contain malware. Disabling the Windows hosts file or manipulating the registry opens security holes; malicious actors embed keyloggers, cryptocurrency miners, or ransomware in these "free" tools. Second, vMix has become more aggressive in detection. Newer versions can fingerprint the hardware (motherboard serial, MAC address) and flag repeated trial resets, locking the user out permanently. Third, professional liability: if a production fails because a reset tool corrupted vMix’s configuration, or if a client’s IT department discovers unlicensed software on a work machine, the user faces reputational and financial damage far exceeding the cost of a license. For a freelance operator or a small non-profit,
To understand the reset, one must first understand the trial's architecture. vMix stores licensing and installation timestamps in several locations. The primary method involves writing a unique identifier and the installation date into the Windows Registry. A secondary method may involve a hidden file or a specific key stored in the user’s AppData folder. When the trial period expires, vMix checks these timestamps against the system clock; if the difference exceeds 60 days, the software refuses to enter full-function mode.
The second, and far larger, category is the pirate. For these users, the reset tool becomes a permanent license bypass. They use the software indefinitely for paid gigs, effectively stealing the product. This is where the act shifts from an ethical gray area to outright software piracy.
The vMix trial reset is a textbook example of a technical shortcut with profound ethical consequences. While the desire to fully test software before purchase is understandable, and while a 60-day trial may be insufficient for some complex workflows, the reset method is ultimately a form of theft—one that harms the developer, the broader user community, and ultimately the user themselves through security risks and professional liability. The responsible path forward is to respect the trial limit, request an extension if necessary, or purchase a license. In doing so, users not only gain legal and moral peace of mind but also contribute to a sustainable ecosystem where high-quality tools like vMix can continue to be developed without resorting to punitive DRM or subscription models. Technology functions best when trust exists between the creator and the user; the trial reset breaks that trust.
Breathing Of The Sadness is a synthesized pad strings. This sample library contains 528 samples purely designed with multilayer additive synthesizers for realistic fillings. It is also round-robin based, so even if you trigger the same note – you will get natural subtle variation.
| KEY STATS: |
| 48kHz |
| WAV OGG VORBIS for DirectWave |
| NCW lossless for Kontakt |
| 528 samples |
| 6 round-robin layers |
| Carefully Looped |
Available for Native Instruments Kontakt and Image Line DirectWave
This library is Royalty-free. You can use it for creating commercial music or own library.
Download Zip files (129MB for DirectWave & 1780MB for Kontakt):
| System requirements: |
| NI Kontakt or IL DirectWave |
| 70Mb RAM for Kontakt or 3200Mb RAM for DirectWave |
| 2000Mb free disc space for Kontakt or 130Mb free disc space for DirectWave |
Uncompressed 48kHz 24bit Royalty-free WAV files you can use for creating your own version of the library or for another sampler.
Download Zip file (2270Mb)