She used to be yellow—the good kind. The yellow of lemon zest, of morning eggs, of the sun through the kitchen blinds as she hummed Stevie Wonder off-key. Her hands were the color of warm sand then, always moving, braiding my hair or tapping the counter to a rhythm only she could hear.
“Don’t,” she whispered. Her voice was gravel. “The light hurts.” Watching My Mom Go Black
I started noticing the clothes. All black. Not mourning black, but erasure black. The purple blouse I loved? Gone. The floral dress she wore to my graduation? Buried in a trash bag on the curb. She said color "screamed." She preferred the quiet of ash. She used to be yellow—the good kind
The first sign was the silence.
So now I sit with her in the dark. I don’t turn on the light. I just hold on, hoping that somewhere deep in the void, she remembers that even black is a color. And that even in the longest eclipse, the sun is still spinning somewhere behind it. “Don’t,” she whispered
I sat next to her in the dark. I took her cold hand—once the color of sand, now the color of slate.